Surimpression I,1932 by Pierre Boucher
[also known as Le nu a la plume]
Female Nude Superimposed on Coliseum, Italy ,1950s by Ludwig Windstosser
Nude surimpression, 1935 by Emeric Feher
Surimpression, 1929
[Two portraits of Brigitte Helm from L’Argent,1928, reproduced on the cover of the magazine “Berliner Zeitung Illustrirte” January 13, 1929]
by Studio Lorelle / Lucien Lorelle
via Yann Le Mouel
Composition,1929 by Maurice Tabard *
from RMN
Der Gassenhauer, Berlin c.1930 by Heinz Hajek Halke
[This montage was used for the cover of Melchior Vischer’s novel Elisabeth geht zum Tonfilm in 1934. The technique of two superimposed negatives being processed at one piece of photographic paper was invented in 1927/28 by Heinz Hajek-Halke and Marta Astflack to be used in advertising photography.]
via WestLicht
Untitled/Surimpression, c.1930 by Roger Parry
from RMN
I have a little confession to make…Since i spent all day at friend’s wedding, I probably had one too many rakia shots, so my head is killing me at the moment…
Anyway, it’s definitely time to leave the premises;]
<3
b.
photo by Max Dupain * from NSW
Surimpression : portrait à la vague,1936-1938 by Pierre Boucher
from wonderful Regards exhibition
Conscience,1941 by Axel Bahnsen
via artsconnected