“Now I have placed that bracelet, that flitting impression between
light and the field: the miracle becomes possible.
I will also see to it that the photographic camera plays a role,
sometimes even that of the first lover, but there is no more
hope for musicians and politicians, for philistines and psychologists.”
Marko Ristić, The Death of A Photographer, Without Measure, Belgrade 1928
for Reality Asylum