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Notes: 38 / 2 months ago from nekomunikata
Going through my archives, remembered one of my projects - girls with cameras, so I present one to you now, Serbian edition
(as some of you might not know, I have a passion for ladies with cameras ;)
This beauty is from amazing and quite productive young photographer from Belgrade, Katarina Šoškić (miskomunikata on tumblr)
Hope you’ll like her work as much as I do.
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Notes: 46 / 6 months ago from bookmarklet
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Notes: 116 / 7 months ago from bookmarklet
![Untitled, 1929 by Nikola Vučo [also]
from serbiansurrealism](http://24.media.tumblr.com/tumblr_mc20s25lFr1qztk1wo1_500.jpg)
Untitled, 1929 by Nikola Vučo [also]
from serbiansurrealism
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Notes: 40183 / 11 months ago from rerylikes (originally from tqvinn)
Thomas Quinn | tqvinn on Tumblr - Face reality as it is
I just did a little test with something called ‘anamorphic typography’. Essentially, it is an illusion where the type looks just right when viewed from the exact right spot, but it looks stretched and warped when viewed from elsewhere in the room. We might be doing something similar in a HOLLY HUNT showrooms later this year, so I did this in a room above my parents’ garage to make sure I could pull it off when the time comes. For what it is worth, I certainly didn’t invent this sort of thing, and I’d like to give lots of credit to this project by Joseph Egan and Hunter Thompson for tipping me off to the idea, as well as the artist Felice Varini, who is doing this sort of thing on a much larger and much more impressive scale.
thanks to rerylikes
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Notes: 35 / 11 months ago from bookmarklet
![Yohji Yamamoto at Design Museum Holon
[exhibition date July 05 - October 20, 2012]
photo by Max Vadukul](http://25.media.tumblr.com/tumblr_m6vyxuFxrp1qztk1wo1_500.jpg)
Yohji Yamamoto at Design Museum Holon
[exhibition date July 05 - October 20, 2012]
photo by Max Vadukul
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Notes: 33 / 11 months ago from bookmarklet
We Are Nature, 2012 by Christoffer Relander
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Notes: 44 / 11 months ago from bookmarklet
Nine Worlds, 2011
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Notes: 182 / 11 months ago from frenchtwist
Ellen Rogers from frenchtwist
also & more -
Notes: 209 / 11 months ago
Susu Laroche for Miranda Keyes
May 2012
All pieces Miranda Keyes (salmon skin, needlefish, sprattus, eel)
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Notes: 103 / 11 months ago
“Maybe the only thing each of us can see is our own shadow. Carl Jung called this his shadow work. He said we never see others. Instead we see only aspects of ourselves that fall over them. Shadows. Projections. Our associations. The same way old painters would sit in a tiny dark room and trace the image of what stood outside a tiny window, in the bright sunlight. The camera obscura. Not the exact image, but everything reversed or upside down.”
Chuck Palahniuk
more photos @ statigram
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Notes: 89 / 12 months ago from istillshootfilm
Smoking HOT!
J. | Shot with a Nikon FM2 by istillshootfilm
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Notes: 832 / 1 year ago from foxesinbreeches
Untitled by Lydia Roberts
from foxesinbreeches
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Notes: 1018 / 1 year ago from realityayslum
![Herbert List - Untitled, c.1937 [must be from Der Geist Des Lykabettos series !]
… from The Body: Photographs of the Human Form by William A. Ewing, Chronicle Books, 1994
courtesy of realityayslum](http://25.media.tumblr.com/tumblr_m185bxvYYv1r1w31so1_500.jpg)
Herbert List - Untitled, c.1937 [must be from Der Geist Des Lykabettos series !]
… from The Body: Photographs of the Human Form by William A. Ewing, Chronicle Books, 1994
courtesy of realityayslum
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Notes: 173 / 1 year ago from frenchtwist"In the realm of the imaginary, the Photograph … represents this very subtle moment where, to tell the truth, I am neither a subject nor object, but rather a subject who feels itself become object: I then live a micro-experience of death (of parenthesis): I become truly a ghost."-
Roland Barthes, Camera Lucida
from frenchtwist
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Notes: 192 / 1 year ago from bookmarklet
Lindsay Seers, I saw the light, 2005
“She is engrossed by the conceptual and philosophical questions raised by the medium that relate to truth, imagination, memory and history.
(…) as a child she could not speak. This silence was possibly caused by a condition called eidetic memory (photographic memory). Seers first spoke at the age of eight when she saw a photograph of herself, asking: ‘Is that me?’ Her eidetic memory faded with the onset of language. This traumatic loss of her memory led her to ‘become’ a camera; she started forming images by inserting pieces of light-sensitive paper into her mouth and using her lips as the aperture and shutter. This passive process of ‘ingesting’ the world occupied her for many years, she gave up her life as a camera to ‘become’ a projector emitting images in an act of extramission.”
Nicolas Bourriaud on Lindsay Seers @Tate
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