Roland Barthes, Camera Lucida
from frenchtwist
In the field, outside the controlled confines of the studio, a photographer is confronted with a complex web of visual juxtapositions that realign themselves with each step the photographer takes. Take one step and something hidden comes into view; take another and an object in the front now presses up against one in the distance. Take one step and the discription of deep space is clarified; take another and it is obscured.
Dubo, Dubon, Dubonnet, Paris, 1934 by André Kertész
quoted from The Depictive Level: Flatness, The Nature of Photographs by Steven Shore - A Primer. [ Phaidon, 2007, reprint from 2010]
photo from RMN
[this one’s for dear (OvO) and her lovely Analog Visions ]
Barbara Guest, from “Photographs”
from proustitute
While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.
op. cit. in: Nathan Lyons, Photographers on photography: a critical anthology (Prentice-Hall, 1966)
from chagalov
“The difference between the casual impression and the intensified image is about as great as that separating the average business letter from a poem. If you choose your subject selectively — intuitively — the camera can write poetry.”
Eleanor, Aix-en-Provence, 1958 by Harry Callahan *
from Art Icono, quote from lens culture
thinking out loud, haven’t done it for a while.
Biljana Marinković
[if you ever wondered what my real name is;]
“…to keep this thing going for a long time, you just have to carry on taking photographs. Photography is my teacher. The main thing is to keep on taking photographs - forever and ever.”
Nobuyoshi Araki [also, more@queering & frenchtwist]
. “As an intimate friend of Eikoh Hosoe, I have followed him on the journey which led to creation of this work, and I have always respected him as a master of self-discipline - always putting higher plateaus in front of himself. However, it can be said that ‘Embrace’ was an especially challenging plateau which was attained with an extra degree of such mastery.”
These words of Yukio Mishima’s have served as a guide to me throughout my life as a photographer and simultaneously, I have taken them as a form of vow to which I shall adhere until the end.
Eikoh Hosoe