Monday Dali with Lotte Tarp,1965 by Werner Bokelberg
From Intellectual,1975
performance by Fabio Mauri feat. Pier Paolo Pasolini
photo by Antonio Masotti
Monday Dali is back!
Salvador Dali arranging nude models to form a human skull, 1951 by Philippe Halsman
[see also]
via Ader
One of my favorite surreal objects is L’Ultrameuble / Ultra-furniture
by Kurt Seligmann *
presented at Exposition Internationale du Surréalisme held in January 1938 in Paris
thanks to mondoblogo
[taken from ’Surreale Dinge’ exhibition catalogue at Schirn Kunsthalle in Frankfurt]
Inaugural banquet hosted by Meret Oppenheim for the International Exhibition of Surrealism in Paris in 1959 [see also]
[In 1959, on the occasion of the “Fête de printemps” in Berne, Meret Oppenheim presents “Le Festin” for the first time. It consists of a buffet table decorated with the body of a naked female wit a gilded face. André Breton asks her to redo the installation at the “Exposition internationale du surréalisme” in December that year at the galerie Cordier of Daniel Cordier, where it opens on the December 15 vernissage dedicated to Eros.]
so this could be first version of Le Festin
via Berne insolite
The Table is Laid,1938 by Georges Hugnet
from MONDOBLOGO
I used to know a handsome painter that had a hole in his head. One could judge, from afar, that the said hole was as wide and as deep as a rifle cartridge. And even though it has never been proved, malicious people say that, as years went by, it grew larger and larger. It won’t go amiss if I casually mention an art critic here, as well. He had, as did the painter, a hole, in the same place, almost of the same proportions. Whenever the two would meet, the holes would, with no visible cause, as if by some mysterious command, just so, simultaneously, on their own accord, start whistling. The painter would then prick his ears up, the critic would too, and they both would, hand in hand, enjoy themselves immensely, listening to their holes whistle on.Raša Todosijević
His retrospective is on view @ Serbian Pavillion
54th Venice Biennale of Contemporary Art in 2011
Bust on table, still life with shells and mirror, England,1930s
by Roland Penrose [also]
©The Roland Penrose Estate
The Dew Machine, 1937 by Roland Penrose
Hair had been an important theme for Roland Penrose before he met Lee Miller when he created a Surrealist object titled The Dew Machine (destroyed in the war) made from the head he sawed off a mannequin . He had a wig made of long blonde straight hair, added false eyelashes, and completed her transformation to life by painting the eyes, lips and flesh tones. The head, elegant but banal, hovers upside down above a baseboard and the kind of funnels used by chemists are inserted into the neck, filled with coloured beads. Thin strings connect the funnels to a stick that passes through the hair that caresses the baseboard. A further wine glass shaped apparatus completes the object, and strengthens the conjunction between the forces of arcane magic and the magic of science. It is easy to imagine the object scaled to a gigantic size, the funnels loaded with mysterious substances feeding the hair that softly trails across the countryside wherever dew is needed .
from MONDOBLOGO [caption found accompanying this work]
Enigma S T, 1994 by Jan Švankmajer
An homage to Jindřich Štyrský *** and his Le Gilet de Maiakovsky and Toyen and her Relache
The Transfinite, an interactive installation by Ryoji Ikeda
[May 20 – Jun 11, 2011 Park Avenue Armory, New York, US]
from Design You Trust [follow-up]
Lazy Hardware, 1945 - installation for Andre Breton’s Arcane 17 by Marcel Duchamp *
[see previous post]
Monday Dali is back! Piano Mannequin by Eric Schaal
Interior of Dream of Venus pavilion
New York World’s Fair, 1939
from Surreal House exhibition catalogue, courtesy of MONDOBLOGO
Globe de verre cassé / Broken glass globe, 1928 by Claude Cahun *
Composition with Magritte, 1959 -by Charles Leirens
from: Patrick Roegiers, Magritte et la photographie, Gand-Amsterdam, Ludion, 2005
courtesy of chagalov