Posts tagged "hidden"
  1. Notes: 200 / 3 months ago 
    Another one from Juan Crisostomo Mendez Avalos c.1930s
via Punto y Aparte
[see also]

    Another one from Juan Crisostomo Mendez Avalos c.1930s

    via Punto y Aparte

    [see also]

     
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  3. Notes: 102 / 1 year ago  from bookmarklet
    Woman on the Beach, Smoking - Mary Jane Russell, Long Island, N.Y., 1949 by Irving Penn
from le clown lyrique

    Woman on the Beach, Smoking - Mary Jane Russell, Long Island, N.Y., 1949 by Irving Penn

    from le clown lyrique

     
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  5. Notes: 79 / 1 year ago  from bookmarklet
    Bruno Fabbris, Jeune femme au voile, 2002
     
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  7. Notes: 314 / 1 year ago  from bookmarklet
    Akt mit Turban, ‘07 by Marcus Amon
     
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  9. Notes: 41 / 1 year ago 
    flash/back
IP @ ANBB [Alva Noto & Blixa Bargeld] live @ Resonate festival
Belgrade, 15th-16th March 2012
taken with Olympus µ[mju:]-III [one from my flickr]

    flash/back

    IP @ ANBB [Alva Noto & Blixa Bargeld] live @ Resonate festival

    Belgrade, 15th-16th March 2012

    taken with Olympus µ[mju:]-III [one from my flickr]

     
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  11. Notes: 192 / 1 year ago  from bookmarklet
    Lindsay Seers, I saw the light, 2005
“She is engrossed by the conceptual and philosophical questions raised by the medium that relate to truth, imagination, memory and history.
(…) as a child she could not speak. This silence was possibly caused by a condition called eidetic memory (photographic memory). Seers first spoke at the age of eight when she saw a photograph of herself, asking: ‘Is that me?’ Her eidetic memory faded with the onset of language. This traumatic loss of her memory led her to ‘become’ a camera; she started forming images by inserting pieces of light-sensitive paper into her mouth and using her lips as the aperture and shutter. This passive process of ‘ingesting’ the world occupied her for many years, she gave up her life as a camera to ‘become’ a projector emitting images in an act of extramission.”  
Nicolas Bourriaud on Lindsay Seers @Tate

    Lindsay Seers, I saw the light, 2005

    “She is engrossed by the conceptual and philosophical questions raised by the medium that relate to truth, imagination, memory and history.

    (…) as a child she could not speak. This silence was possibly caused by a condition called eidetic memory (photographic memory). Seers first spoke at the age of eight when she saw a photograph of herself, asking: ‘Is that me?’ Her eidetic memory faded with the onset of language. This traumatic loss of her memory led her to ‘become’ a camera; she started forming images by inserting pieces of light-sensitive paper into her mouth and using her lips as the aperture and shutter. This passive process of ‘ingesting’ the world occupied her for many years, she gave up her life as a camera to ‘become’ a projector emitting images in an act of extramission.”  

    Nicolas Bourriaud on Lindsay Seers @Tate

     
  12. Comments
  13. Notes: 145 / 1 year ago  from bookmarklet
    Can you believe that this is early Bill Brandt ?
also published in Beauté magazine, August 1935 
 one more from Au carrefour étrange  

    Can you believe that this is early Bill Brandt ?

    also published in Beauté magazine, August 1935 

     one more from Au carrefour étrange  

     
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  15. Notes: 212 / 1 year ago  from bookmarklet
    Another one from very intriguing 1930s album of mr. Juan Crisostomo Mendez Avalos

    Another one from very intriguing 1930s album of mr. Juan Crisostomo Mendez Avalos

     
  16. Comments
  17. Notes: 196 / 1 year ago  from queering
    haven’t had a queering moment for a while:] Juan Crisostomo Mendez Avalos

thanks to  Deborah Hammond
[few more @ frenchtwist]

    haven’t had a queering moment for a while:] Juan Crisostomo Mendez Avalos

    thanks to  Deborah Hammond

    [few more @ frenchtwist]

     
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  19. Notes: 626 / 1 year ago  from bookmarklet
    Undressing woman (Germany 1940) by L. Junghans, Dresden
from Servatius

    Undressing woman (Germany 1940) by L. Junghans, Dresden

    from Servatius

     
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  21. Notes: 271 / 1 year ago  from bookmarklet
    Here you are - One, 1975 by Paul de Nooyer 

    Here you are - One, 1975 by Paul de Nooyer 

     
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  23. Notes: 235 / 1 year ago  from turnofthecentury
     Autumn, 1899, by Robert Demachy
from turnofthecentury
     
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  25. Notes: 83 / 1 year ago  from bookmarklet
    Untitled, nd by Sanne Sannes 
     
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  27. Notes: 84 / 1 year ago  from bookmarklet
    Lucien Hervé - born Lászlo Elkán, Deux silhouettes derrière un verre dépoli,1939
 from Réunion des musées nationaux

    Lucien Hervé - born Lászlo Elkán, Deux silhouettes derrière un verre dépoli,1939

     from Réunion des musées nationaux

     
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  29. Notes: 423 / 1 year ago  from bookmarklet
     Eva Fuková / Eva Fuka,  Dívka s květinou / Girl with a flower, 1957
from greisen

     Eva Fuková / Eva Fuka,  Dívka s květinou / Girl with a flower, 1957

    from greisen

     
  30. Comments
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" Between the demand to be clear,and the temptation to be obscure, impossible to decide which deserves more respect." E.M.Cioran Hello & welcome to my little queerdome! If you like what you see, do visit::: queerest of them all & turnofthecentury & oh!so 30s & Studio Manasse & Nazimova & belgradestreetart [not so] occasionally i check out nomoreheroes as well. Many of these images are from public domain but some of them are owned and © by the respective holders, so please do not remove original credit-artist/source information! These blogs are for academic & educational purposes only and generate no income and probably never will. If there's something here that belongs you and you want it to be removed, or you just want to say hi! you can do it here ALMOST ENDLESS MOSAIC
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