Posts tagged "exhibition"
  1. Notes: 12 / 5 months ago 
    Exquisite corpse exhibition features works by 14 illustrators and studios from Europe, USA and Serbia. The Belgrade public will for the first time be presented with the works of some of the most influential design studios and illustrators on the international scene. The exibition opens on November 30 at 9 p.m. *that is in two hours*  in KC Grad The exhibition features contributions by the following artists/studios: Hort , Non-Format , Grandpeople, Ville Savimaa , Mark Giglio , Dopludo Collective, SNASK , IWANT, Oh Yeah Studio , Pablo Abad, Nebojša Cvetković, Biskoteka, Flomasters  i Lorem Ipsum Studio.

    Exquisite corpse exhibition features works by 14 illustrators and studios from Europe, USA and Serbia. The Belgrade public will for the first time be presented with the works of some of the most influential design studios and illustrators on the international scene. The exibition opens on November 30 at 9 p.m. *that is in two hours*  in KC Grad

    The exhibition features contributions by the following artists/studios:

    Hort , Non-Format , Grandpeople, Ville Savimaa , Mark Giglio , Dopludo Collective, SNASK , IWANT, Oh Yeah Studio , Pablo Abad, Nebojša Cvetković, Biskoteka, Flomasters  i Lorem Ipsum Studio.

     
    2. Comments
  2. Notes: 105 / 9 months ago  from bookmarklet
    Claudia Böhm
, Leda 1991 [also] Exhibition: ‘Light Sensitive: Photo Art from the Collection’ at Aargauer Kunsthaus, Aarau [12th May – 12th August 2012] from Art Blart

    Claudia Böhm
, Leda 1991 [also]

    Exhibition: ‘Light Sensitive: Photo Art from the Collection’ at Aargauer Kunsthaus, Aarau [12th May – 12th August 2012]

    from Art Blart

     
    3. Comments
  3. Notes: 32 / 10 months ago 
    one more from Yohji Yamamoto exhibition at Design Museum Holon [ July 05 - October 20, 2012] photo by Max Vadukul  [more YY here]

    one more from Yohji Yamamoto exhibition at Design Museum Holon [ July 05 - October 20, 2012]

    photo by Max Vadukul 

    [more YY here]

     
    4. Comments
  4. Notes: 35 / 10 months ago  from bookmarklet
    Yohji Yamamoto at Design Museum Holon  [exhibition date July 05 - October 20, 2012] photo by Max Vadukul

    Yohji Yamamoto at Design Museum Holon 

    [exhibition date July 05 - October 20, 2012]

    photo by Max Vadukul

     
    5. Comments
  5. Notes: 13 / 1 year ago 
    The Soul, Chanel Collection Summer, Paris, 2008 ©  Cathleen Naundorf  Part of Un Rêve de Mode exhibition, courtesy of Gallery Hamiltons, also from La Lettre

    The Soul, Chanel Collection Summer, Paris, 2008 ©  Cathleen Naundorf 

    Part of Un Rêve de Mode exhibition, courtesy of Gallery Hamiltons, also from La Lettre

     
    6. Comments
  6. Notes: 36 / 1 year ago  from bookmarklet
    My paradise Bird I, Chanel Collection Winter 2006, Paris, 2008 © Cathleen Naundorf [also] from Un Rêve de Mode exhibition, currently on view at Hamiltons Gallery in London [until the 31st of March]  thanks to La Lettre

    My paradise Bird I, Chanel Collection Winter 2006, Paris, 2008

    © Cathleen Naundorf [also]

    from Un Rêve de Mode exhibition, currently on view at Hamiltons Gallery in London [until the 31st of March] 

    thanks to La Lettre

     
    7. Comments
  7. Notes: 138 / 1 year ago  from bookmarklet
     ”The Silent Strength of Liu Xia” an exhibit of photographs by Liu Xia, wife of imprisoned 2010 Nobel Peace Prize Winner Liu Xiaobo will be presented at Columbia University starting Feb. 9, 2012. [ AP Photo /Columbia University] Liu Xia is a forbidden artist whose work is censored in her native China. The photographer, who is under house arrest, uses life-like dolls as metaphors for the pain and suffering of the Chinese people. more here

     ”The Silent Strength of Liu Xia” an exhibit of photographs by Liu Xia, wife of imprisoned 2010 Nobel Peace Prize Winner Liu Xiaobo will be presented at Columbia University starting Feb. 9, 2012. [ AP Photo /Columbia University]

    Liu Xia is a forbidden artist whose work is censored in her native China. The photographer, who is under house arrest, uses life-like dolls as metaphors for the pain and suffering of the Chinese people.

    more here

     
    8. Comments
  8. Notes: 500 / 1 year ago  from bookmarklet
    Maude Banvard, The Catch, Brockton Fair , 1907 by Frederick W Glasier from HEYDAY: Photographs of Frederick W Glasier

    Maude Banvard, The Catch, Brockton Fair , 1907 by Frederick W Glasier

    from HEYDAY: Photographs of Frederick W Glasier

     
    9. Comments
  9. Notes: 2435 / 1 year ago  from sfmoma
    “In Untitled (1976), a contact sheet of eleven photographs, Woodman physically articulates the experience of transition… Divided, her identity a blur, she is counterpoised between the past and the future. Standing before her photographs, suspended in a young adult purgatory I thought I would never leave, I felt the same way: illegible, pulled in two.” from sfmoma and their blog

    “In Untitled (1976), a contact sheet of eleven photographs, Woodman physically articulates the experience of transition… Divided, her identity a blur, she is counterpoised between the past and the future. Standing before her photographs, suspended in a young adult purgatory I thought I would never leave, I felt the same way: illegible, pulled in two.”

    from sfmoma and their blog

     
    10. Comments
  10. Notes: 199 / 1 year ago  from bookmarklet
    Hannah Höch , Love, 1931 [also] from ′The mad square: Modernity in German Art 1910 – 37′ at The National Gallery of Victoria, Melbourne [25th November 2011 – 4th March 2012] thanks to Art Blart

    Hannah Höch , Love, 1931 [also]

    from ′The mad square: Modernity in German Art 1910 – 37′ at The National Gallery of Victoria, Melbourne [25th November 2011 – 4th March 2012]

    thanks to Art Blart

     
    11. Comments
  11. Notes: 2662 / 1 year ago  from bookmarklet
    Grete Stern, Sueno 35, 1949 from Light of Modernity in Buenos Aires 1929-54 [featuring also Annemarie Heinrich] currently on view at Nailya Alexander Gallery [October 18, 2011- January 11, 2012] thanks to La Lettre

    Grete Stern, Sueno 35, 1949 from Light of Modernity in Buenos Aires 1929-54 [featuring also Annemarie Heinrich]

    currently on view at Nailya Alexander Gallery [October 18, 2011- January 11, 2012]

    thanks to La Lettre

     
    12. Comments
  12. Notes: 133 / 1 year ago  from bookmarklet
    Mina Quevli, 1930 by Virna Hafferfrom the Collection of the Washington State Historical Society, gift of the estate of Virna Haffer, part of a past exhibition: ‘A Turbulent Lens: The Photographic Art of Virna Haffer’ at Tacoma Art Museum [2nd July – 6th November , 2011] courtesy of Art Blart

    Mina Quevli, 1930 by Virna Haffer

    from the Collection of the Washington State Historical Society, gift of the estate of Virna Haffer, part of a past exhibition: ‘A Turbulent Lens: The Photographic Art of Virna Haffer’ at Tacoma Art Museum [2nd July – 6th November , 2011]

    courtesy of Art Blart

     
    13. Comments
  13. Notes: 66 / 1 year ago  from bookmarklet
    Georges Hugnet [more]L’Oru-boru À Corset [“The Corsetted Oru-Boru”] No. 18 from the series La Vie amoureuse des Spumifères [“The Love Life of the Spumifers”] ca. 1948 from Georges Hugnet: The Love Life of the SpumifersNovember 16–January 28, 2011Exhibition Opening: November 15, 6 to 9PM at Ubu GalleryThe Love Life of the Spumifers, or La Vie amoureuse des Spumifères, combines Surrealist poetry’s fascination with l’amour and Dada’s tendency towards deliberate grammatical spontaneity and absurdity. Words like bowoodling, friskadoodling and alabamaraminating are concocted by Hugnet to describe the seductive strategies of his imaginary creatures. Each text is dedicated to a different creature, describing how it woos, teases, gropes and molests its intended love conquest. Each Spumifer is illustrated by a gouache “beast,” which is added to an early Twentieth Century vintage “French” photo postcard. The mellifluously painted monsters slyly slither around the bare flesh of the pictured “mademoiselle,” nibbling and tickling, arousing her sexual desire. Hugnet’s illustrations seduce the viewer, parodying the human pursuit of love and lovemaking through these adorable grotesques.

    Georges Hugnet [more]
    L’Oru-boru À Corset [“The Corsetted Oru-Boru”] No. 18 from the series La Vie amoureuse des Spumifères [“The Love Life of the Spumifers”] ca. 1948

    from Georges Hugnet: The Love Life of the Spumifers
    November 16–January 28, 2011
    Exhibition Opening: November 15, 6 to 9PM at Ubu Gallery
    The Love Life of the Spumifers, or La Vie amoureuse des Spumifères, combines Surrealist poetry’s fascination with l’amour and Dada’s tendency towards deliberate grammatical spontaneity and absurdity. Words like bowoodling, friskadoodling and alabamaraminating are concocted by Hugnet to describe the seductive strategies of his imaginary creatures. Each text is dedicated to a different creature, describing how it woos, teases, gropes and molests its intended love conquest. Each Spumifer is illustrated by a gouache “beast,” which is added to an early Twentieth Century vintage “French” photo postcard. The mellifluously painted monsters slyly slither around the bare flesh of the pictured “mademoiselle,” nibbling and tickling, arousing her sexual desire. Hugnet’s illustrations seduce the viewer, parodying the human pursuit of love and lovemaking through these adorable grotesques.

     
    14. Comments
  14. Notes: 203 / 1 year ago 
    more Deborah Turbeville For Rochas, France, circa 1985 from The Fashion Pictures, currently on view @ Staley Wise

    more Deborah Turbeville
    For Rochas, France, circa 1985

    from The Fashion Pictures, currently on view @ Staley Wise

     
    15. Comments
  15. Notes: 351 / 1 year ago  from homeofthevain
    after a short break, continuing with ladies with cameras series : Deborah Turbeville, Five Girls in a Room in Pigalle, Paris, 1982 “In these times aesthetic taste is dismissed as irrelevant. Well, I am perverse, and for that very reason I’m more drawn to it than ever. I have been described as having style, of being a mannered photographer. It’s some people’s quarrel with my work, and others’ fascination.” — Deborah Turbeville Buy Deborah Turbeville: The Fashion Pictures. Deborah Turbeville, previously thanks to  homeofthevain

    after a short break, continuing with ladies with cameras series :

    Deborah Turbeville, Five Girls in a Room in Pigalle, Paris, 1982

    “In these times aesthetic taste is dismissed as irrelevant. Well, I am perverse, and for that very reason I’m more drawn to it than ever. I have been described as having style, of being a mannered photographer. It’s some people’s quarrel with my work, and others’ fascination.”

    — Deborah Turbeville

    Buy Deborah Turbeville: The Fashion Pictures. Deborah Turbeville, previously

    thanks to  homeofthevain

     
    16. Comments
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" Between the demand to be clear,and the temptation to be obscure, impossible to decide which deserves more respect." E.M.Cioran Hello & welcome to my little queerdome! If you like what you see, do visit::: queerest of them all & turnofthecentury & oh!so 30s & Studio Manasse & Nazimova & belgradestreetart [not so] occasionally i check out nomoreheroes as well. Many of these images are from public domain but some of them are owned and © by the respective holders, so please do not remove original credit-artist/source information! These blogs are for academic & educational purposes only and generate no income and probably never will. If there's something here that belongs you and you want it to be removed, or you just want to say hi! you can do it here ALMOST ENDLESS MOSAIC
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