Vision, 2011 by Alison Scarpulla
[lomo lc-a] by marc
Figure on beach, c. 1915 / c. 1940 by Anne Brigman
from George Eastman House
Equivalent, 1925 by Alfred Stieglitz *
Stieglitz photographed clouds from 1922 into the thirties. A symbolist aesthetic underlies these images, which became increasingly abstract equivalents of his own experiences, thoughts, and emotions. The theory of equivalence had been the subject of much discussion at Gallery 291 during the teens, and it was infused by Kandinsky’s ideas, especially the belief that colors, shapes, and lines reflect the inner, often emotive “vibrations of the soul.” In his cloud photographs, which he termed Equivalents, Stieglitz emphasized pure abstraction, adhering to the modern ideas of equivalence, holding that abstract forms, lines, and colors could represent corresponding inner states, emotions and ideas.
more at Phillips Collection
Cover of Henri Miller’s The Cosmological Eye c.1939
from NYPL
Leni Riefenstahl in The Holy Mountain (1926, dir. Arnold Fanck)
from oldhollywood [also as postcard here]
The Cloud - The Power and the Glory, 1927 by Anne Brigman
from George Eastman House
Iceberg Between Paulet Island and the South Shetland Islands, Antarctica,2005 by Sebastião Salgado
[currently on sale at Villa Grisebach]
Gulls and Clouds, By the Wind,1941 by Anne Brigman
from George Eastman House
Equivalent, 1925, printed 1927 by Alfred Stieglitz
from SFMOMA
A. H. Binden, Lightning, 1888 from Brought to Light: Photography and the Invisible, 1840-1900 exhibition at sfmoma
Clouds come floating into my life, no longer to carry rain or usher storm, but to add color to my sunset sky.
Rabindranath Tagore
Ada Lake, Belgrade
shot with Lomo Smena 8M