Quite surreal illustration of “death and the maiden” theme [see also skull girls]
from Uramado, Japan’s most remarkable SM magazine, 1958-1964
thanks to foxesinbreeches & Les Rétro-Galeries de Mr Gutsy
Shōji Ueda *, Spring, 1948 [from the series ‘Seasons of the children’]
courtesy of RMN
Vintage Halloween Portrait - A Very Scary Woman
from AtypicalArt
“Miss Devil, (Betty Taylor), smiles triumphantly as she overlooks the Hell scene presented by the Freshman stunt winners in their picturization of “Helle’s Bell.”The belles and gruesome skeltons in the pictures create the setting for the sad tale of Orpheus and won the cup for the class.”
Costumed football match, 1920
Clarence John Laughlin , The House of the Past, 1947 [also]
from The Unseen Eye: Photographs from the Unconscious (Aperture, 2011) by W.M. Hunt
from La Lettre
ComPoSition au PaPillon, 1955 by Jean Dieuzaide
from drouot
The Drama of Display, Visual Merchandising and its Techniques by Jim Buckley,1953
The Dew Machine, 1937 by Roland Penrose
Hair had been an important theme for Roland Penrose before he met Lee Miller when he created a Surrealist object titled The Dew Machine (destroyed in the war) made from the head he sawed off a mannequin . He had a wig made of long blonde straight hair, added false eyelashes, and completed her transformation to life by painting the eyes, lips and flesh tones. The head, elegant but banal, hovers upside down above a baseboard and the kind of funnels used by chemists are inserted into the neck, filled with coloured beads. Thin strings connect the funnels to a stick that passes through the hair that caresses the baseboard. A further wine glass shaped apparatus completes the object, and strengthens the conjunction between the forces of arcane magic and the magic of science. It is easy to imagine the object scaled to a gigantic size, the funnels loaded with mysterious substances feeding the hair that softly trails across the countryside wherever dew is needed .
from MONDOBLOGO [caption found accompanying this work]
La Luz by Laurie Lipton
Charcoal & pencil on paper, 2011
New York,1955 [printed c.1970s] by Harry Callahan *
from exhibition: ‘Beyond COLOR: Color in American Photography, 1950-1970
at Bruce Silverstein Gallery, New York [15th September – 23rd October 2010]
via Art Blart
I dreamed I was sawed in half…in my maidenform bra
Maidenform Bra Display at Labiche`s, c.1950-55 by Charles L. Franck Photographers