Posts tagged "artist and muse"
  1. Notes: 200 / 1 year ago  from bookmarklet
    Vali Myers as Ann in Love on the Left Bank, 1954 by Ed van der Elsken Book follows the fictional story of Ann, a bohemian living in Paris, and is one of the first photobooks to record the birth of rebellious youth culture in Europe.  from guardian

    Vali Myers as Ann in Love on the Left Bank, 1954 by Ed van der Elsken

    Book follows the fictional story of Ann, a bohemian living in Paris, and is one of the first photobooks to record the birth of rebellious youth culture in Europe. 

    from guardian

     
    2. Comments
  2. Notes: 19 / 1 year ago 
    Monday Dali:Portrait of Gala with two cutlets balanced on her shoulder from Conquest of the Irrational,1935 [also]  via NYPL

    Monday Dali:Portrait of Gala with two cutlets balanced on her shoulder

    from Conquest of the Irrational,1935 [also]

     via NYPL


     
    3. Comments
  3. Notes: 386 / 1 year ago  from bookmarklet
    Self-portrait with Meret Oppenheim, c.1933 by  Man Ray [another one here]  from Pompidou

    Self-portrait with Meret Oppenheim, c.1933 by  Man Ray

    [another one here] 

    from Pompidou

     
    4. Comments
  4. Notes: 97 / 1 year ago  from bookmarklet
    Eleanor, Aix-en-Provence, 1958 by Harry Callahan * from Art Icono

    Eleanor, Aix-en-Provence, 1958 by Harry Callahan *

    from Art Icono

     
    5. Comments
  5. Notes: 66 / 1 year ago  from bookmarklet
     La Plage de Cabasson,1936  [ Lisa Fonssagrives ] by  Fernand Fonssagrives *

     La Plage de Cabasson,1936  [ Lisa Fonssagrives ] by  Fernand Fonssagrives *

     
    6. Comments
  6. Notes: 195 / 1 year ago 
    Negresco Balcony,1934 [Lisa Fonssagrives] by  Fernand Fonssagrives *

    Negresco Balcony,1934 [Lisa Fonssagrives] by  Fernand Fonssagrives *

     
    7. Comments
  7. Notes: 528 / 1 year ago  from bookmarklet
    Herbert Matter - Nude in Reeds, c. 1940 [also]

    Herbert Matter - Nude in Reeds, c. 1940 [also]

     
    8. Comments
  8. Notes: 63 / 1 year ago  from bookmarklet
    “The difference between the casual impression and the intensified image is about as great as that separating the average business letter from a poem. If you choose your subject selectively — intuitively — the camera can write poetry.” Eleanor, Aix-en-Provence, 1958 by Harry Callahan * from Art Icono, quote from lens culture

    “The difference between the casual impression and the intensified image is about as great as that separating the average business letter from a poem. If you choose your subject selectively — intuitively — the camera can write poetry.”

    Eleanor, Aix-en-Provence, 1958 by Harry Callahan *

    from Art Icono, quote from lens culture

     
    9. Comments
  9. Notes: 129 / 1 year ago  from bookmarklet
    Georgia O’Keeffe, 1920 by Alfred Stieglitz * from Art Blart

    Georgia O’Keeffe, 1920 by Alfred Stieglitz *

    from Art Blart

     
    10. Comments
  10. Notes: 98 / 1 year ago  from bookmarklet
    Untitled from the series: ‘My Wife Yoko.’ 1967-1975  © Nobuyoshi Araki [ taken on their honeymoon]  from Silent Wishes exhibition at the Deichtorhallen, Hamburg & wayneford

    Untitled from the series: ‘My Wife Yoko.’ 1967-1975

     © Nobuyoshi Araki [ taken on their honeymoon]

     from Silent Wishes exhibition at the Deichtorhallen, Hamburg & wayneford

     
    11. Comments
  11. Notes: 9 / 1 year ago  from bookmarklet
    Untitled [Katharina Berger] , 1930-32 by Heinz Hajek-Halke  also @ chagalov & so30s

    Untitled [Katharina Berger] , 1930-32 by Heinz Hajek-Halke 

    also @ chagalov & so30s

     
    12. Comments
  12. Notes: 132 / 1 year ago  from bookmarklet
     Nusch Eluard [with Paul Eluard ] 1936 by Man Ray from lotus-feet

     Nusch Eluard [with Paul Eluard ] 1936 by Man Ray

    from lotus-feet

     
    13. Comments
  13. Notes: 62 / 1 year ago  from bookmarklet
    Dora Maar * c.1936 by Man Ray featured in Man Ray Portraits – Paris, Hollywood, Paris 1921–1976 ed. by Clément Chéroux from La Lettre de la Photographie

    Dora Maar * c.1936 by Man Ray

    featured in Man Ray Portraits – Paris, Hollywood, Paris 1921–1976 ed. by Clément Chéroux

    from La Lettre de la Photographie

     
    14. Comments
  14. Notes: 475 / 1 year ago  from chagalov
    Eva Besnyö lying on the portraits she has made of a graphologist, Berlin 1932 by John Fernhout [orig.: Eva Besnyö liggend tussen haar portret van een grafoloog] from chagalov & NFM

    Eva Besnyö lying on the portraits she has made of a graphologist, Berlin 1932

    by John Fernhout [orig.: Eva Besnyö liggend tussen haar portret van een grafoloog]

    from chagalov & NFM

     
    15. Comments
  15. Notes: 56 / 2 years ago  from bookmarklet
    Maya [Deren ]* 1942–1943 by Alexander Hackenschmied from Greisen

    Maya [Deren ]* 1942–1943 by Alexander Hackenschmied

    from Greisen

     
    16. Comments
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" Between the demand to be clear,and the temptation to be obscure, impossible to decide which deserves more respect." E.M.Cioran Hello & welcome to my little queerdome! If you like what you see, do visit::: queerest of them all & turnofthecentury & oh!so 30s & Studio Manasse & Nazimova & belgradestreetart [not so] occasionally i check out nomoreheroes as well. Many of these images are from public domain but some of them are owned and © by the respective holders, so please do not remove original credit-artist/source information! These blogs are for academic & educational purposes only and generate no income and probably never will. If there's something here that belongs you and you want it to be removed, or you just want to say hi! you can do it here ALMOST ENDLESS MOSAIC
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